Conservation-Grade
Original finishes preserved wherever possible. Reversible repairs, period-appropriate materials, and stripping avoided unless the piece has no other path forward.
Antique Furniture & Heirloom Restoration
Heirlooms and antique furniture restored after fire, flood, moving damage, or years of neglect. Conservation-grade, insurance-backed, free written assessment.
Original finishes preserved wherever possible. Reversible repairs, period-appropriate materials, and stripping avoided unless the piece has no other path forward.
Fire, water, smoke, storm, and moving damage handled end-to-end. The Columbus claims team coordinates directly with adjusters from intake through return.
Wood, veneer, inlay, upholstery, caning, and period hardware handled under one roof. One shop, one contact, one scope of work across the whole piece.
One Prism team serving the full tri-city footprint. Workshop intake in Columbus, regional service across Cincinnati, Dayton, and beyond.
An antique piece is not just wood and hardware. It carries the tool marks of the original maker, the joinery decisions that defined the era, a finish that took decades to cure into a patina, and usually a family story riding alongside all of it. A quick refinish strips most of that away in an afternoon and leaves behind a piece that looks newer and is worth less. The real work of furniture restoration is reading what the piece still holds and repairing around it, so the story in the grain survives the damage.
Conservation-grade restoration starts from that premise. Loose joints get re-glued with reversible adhesives rather than resorcinol-locked forever. Missing veneer gets matched to species and grain, not slapped on from the nearest sheet. Caning gets replaced using period patterns when the original has failed. Brass hardware gets cleaned and repaired before the default of swapping it out for a modern reproduction. At every step, the decision is whether the original can be preserved — and most of the time, with the right techniques, it can.
The workshop in Columbus handles the full scope: wood repair, veneer and inlay, upholstery and caning, hardware, and water or fire damage recovery. When the piece holds other categories inside it — framed art hung in the same room, paper documents stored in the drawers, textiles inside an upholstered lid — the broader art restoration assessment pulls the whole loss event under one plan instead of splitting it into separate, uncoordinated claims.
Most calls about antique furniture start with three questions, and they are almost always the same three. Can the piece be saved. What is it going to cost. Will insurance pay for any of it. Everything else follows from those.
Most pieces come back. Structural damage, loose joints, veneer loss, caning failure, finish damage, and most water or fire exposure are reversible with conservation-grade techniques. The real test is how much original material survives. A free written assessment answers the question before a dollar is committed, and most people hear better news than they expected.
Cost tracks with the piece, the damage, and the scope of the work. A single chair with a loose joint lives in a different range from a water-damaged estate. Every project starts with a free written assessment and a written quote, so the numbers are clear before the workshop schedules the work.
Usually yes, when a covered event caused the damage. Fire, water, smoke, storm, and moving or transport loss are typically covered under homeowner, renter, or mover liability policies. The Columbus claims team documents the damage, coordinates directly with the adjuster, and routes the restoration through the policy so the loss is handled in one scope.
Original finishes preserved, not stripped.
Structural damage, loose joints, split panels, and years of neglect reversed using reversible adhesives, period-appropriate fill materials, and finish work that keeps the original patina intact. Stripping is the last resort, used only when there is nothing else to save.
Matched to the era, matched to the grain.
Missing veneer, lifted marquetry, and failed inlay repaired with species-matched replacement material and period-accurate adhesives. Grain direction, figure, and color matched so the repair disappears into the piece instead of announcing itself.
Period-accurate, to the standard the original maker intended.
Failed caning re-woven in the original pattern, upholstery redone in period-appropriate fabrics or customer-specified modern alternatives, horsehair and cotton padding rebuilt under the surface, and webbing replaced where the frame still holds. The chair goes back to service-ready condition.
Mold sets in within 48 hours. Emergency response available.
Emergency stabilization for water, flood, fire, and smoke damage with full insurance claim coordination. Fast drying to prevent mold, finish stripping only where smoke residue will not release otherwise, and structural repair where the joints have failed from moisture. The Columbus team mobilizes quickly across the tri-market.
Period brass, iron, and decorative hardware brought back to spec.
Original hardware cleaned, repaired, and when necessary, reproduced to era-matched specifications. Brass pulls re-plated, iron hardware rust-treated and stabilized, locks reworked, and missing pieces cast from surviving examples. Saved hardware holds value that replacement cannot.
Multi-piece collections under one claim, one team, one contact.
Inherited collections, estate sales, and multi-piece loss events scoped together so the work is coordinated instead of fragmented. One contact point, one project manager, and one written scope covering every piece in the collection. When the art in the house also needs work, the shared art restoration process pulls it under the same plan.
A rare piece, a water-damaged estate, or something you cannot find answers on? Call (614) 866-4484 and the Columbus team will walk through what the restoration actually involves before anything gets scheduled.
“A baby grand came into the workshop with a failing finish, worn surfaces, and interior work due. It left as a fully restored piano with the original character intact and the finish rebuilt on the original wood.”
Full finish rebuild on original wood, interior and action work addressed, and exterior surfaces restored to furniture-grade depth. A piano that reads as the original instrument, not a refinished substitute for it. Every step documented for the file.


Refinish work done on the original surfaces rather than swapping panels. The maker’s wood stays in the piece and the patina depth comes back through craft, not shortcut.
Structural and interior work handled alongside the cosmetic finish so the piano returns to both performance and display condition, not one or the other.
Adhesives, fillers, and finishes used in the repair can be removed by a future conservator without harm to the original material. Today’s work does not close doors on tomorrow’s conservation.
Two pieces routed through the Columbus workshop in the last cycle. Different eras, different damage profiles, same conservation-grade approach: preserve what is original, repair what has failed, and document the work from intake through return.




Every claim file runs through the same four-step workflow. The Columbus team walks through each step with the owner and the adjuster before anything billable starts.
Initial photographic assessment and condition cataloguing at intake. Every piece in scope gets a record — damage location, extent, and baseline condition — so the claim file has documentation the adjuster can actually use.
A certified conservator evaluates the piece and writes the scope of work: what is reversible, what is not, what materials match the period, and what the realistic timeline is. The written quote goes to the owner and the adjuster before anything is approved.
Structural repair, veneer and inlay work, upholstery and caning, hardware, and finish work completed to conservation-grade standards. The workshop holds climate control and period materials on site so the repair happens in one place under one lead conservator.
Final inspection, packaged transport, and return delivery with comprehensive before-and-after records for the owner and the claim file. Preservation guidance travels with the piece so the restoration holds for the next generation.
Fire, water, smoke, storm, and moving damage handled end-to-end. The Columbus claims team documents the piece, coordinates with adjusters, and routes the scope through the policy so the claim moves on the owner’s timeline, not the insurer’s.
Victorian, Colonial, Federal, Empire, Mission, Arts and Crafts, and Mid-Century pieces each carry their own materials, joinery, and finish standards. The workshop holds period-matched stock and the conservators know which approach belongs on which era.
Repairs use reversible adhesives, period-appropriate fillers, and finish systems that a future conservator can remove without harm to the original material. The piece keeps its full conservation value going forward.
Columbus workshop intake with regional service across Cincinnati, Dayton, Southern Ohio, Northern Kentucky, and West Virginia. One facility, three markets, and the full national Prism franchise network behind every restoration.
Central Ohio including Franklin, Delaware, and Licking counties. Workshop intake at 171 Schofield Drive. Local pickup and delivery available for oversized pieces, estate collections, and pianos that cannot be moved by the owner.
Southwestern Ohio and Northern Kentucky. Professional packaging and secure transport for fragile antique furniture, with the same conservators and the same workshop handling the restoration as a Columbus intake.
Miami Valley including Montgomery, Greene, and Clark counties. Full furniture restoration, heirloom preservation, and insurance claim coordination routed through the Columbus workshop.
Other pieces in the collection damaged by the same event? Scope everything together through the broader at restoration assessment so furniture, framed art, paper, and textiles all move on one plan and one claim.
Most pieces come back. Structural damage, loose joints, veneer loss, caning failure, finish damage, and most water and fire exposure are reversible with the right techniques. The honest test is whether enough original material remains for conservation-grade repair to hold. A free written assessment answers that question before any work gets committed. Call (614) 866-4484 to book the assessment.
Bring the piece into the Columbus workshop for a free written assessment before the insurance clock runs or the damage sets in any further. Every project starts with a certified conservator, a clear scope, and a written timeline. Most of the time the heirloom goes back to the family in better shape than the day the damage happened.